Shah Rukh Khan
No Record Found.
Indulgence is a rather difficult trait in the world of filmmaking. We have seen plenty fall prey to it. Ironically, Mirzya as a story possibly demands some indulgence. You, after all, cannot show the same old story the same old way. Rakeysh Omprakash Mehra chooses extravagance as his tool.
Does it work for him, or does it come across as eccentricity is the question.
Mehra sets the story of Mirza Sahiban in the present age, calls them Monish and Suchitra. The settings are in Rajasthan, and there is a class divide. The girl is engaged to a ‘Rajkumar’ and she falls in love with the stable boy. There is a back story – they studied together in school before she was sent to study abroad. The screenplay shuffles between two eras – the present and an undefined time period in history when Mirza Sahiban lived. The juxtaposition is aimed at creating a connect between the stories.
Yet, while you are left speechless due to the beautiful visuals, the screenplay fails to connect. The story simply does not invoke any hope for something new. Mehra cuts to incredibly well choreographed and beautifully written songs at regular intervals, none of which blends into the story. That’s a pity because the legendary Gulzar has put in some of his best works into this film.
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