Shah Rukh Khan
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Pink marks the Hindi film debut of director Annirudha Roy Chowdhury, a man who has earlier made some remarkable Bengali films. And, oh what a debut this is! Pink is a film that scores on almost every aspect of filmmaking. And if there are some aspects that it may not have aced, you could still overlook them. Because Pink is an important film. Why so? Because it deals with a subject that many filmmakers have tried, and seldom nailed so effectively. It deals with the way we as a country look at the urban, liberal women.
Pink is exactly what the trailer promised. It’s a gritty courtroom drama. And it has an element of suspense played incredibly well.
This is a story of three working girls who stay in rented flat. They get into a tussle with a group of boys one night where one of the guys almost get injured seriously. A drama plays out, detailing the helplessness of the girls and the menace of the boys on the lookout for revenge. When things get nasty, a creepy neighbour decides to help the girl. The neighbour, played by Amitabh Bachchan, turns out to be a hot-shot lawyer who had given up practice. Here on it is about proving the girls’ innocence.
Director Annirudha Roy Chowdhury, backed by Shoojit Sircar, treats the matter with deftness. He treads on various ideas without quite getting preachy. In the grit he weaves in some satirical lighter moments, bringing in a rule book for girls – one that will make you think. Also commendable is how he subtly brings in the north-east reference.
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